Note that photographers doing street portraits or travel portraits may want to show texture on their subject’s skin. Plus, the texture will give the photo an ageing, vintage look that plenty of photographers love. The textured background will ensure that your portrait subject really pops out of the image. Texture is harder to use in portrait photography.īecause while you generally want your subject’s skin to be smooth, it’s nice to contrast the smooth skin with a textured background–either a background that’s created naturally (such as a textured bush) or a background that’s artificial (such as a painted backdrop).
You see, landscapes offer an abundance of textures, but the type of texture varies heavily from location to location.įor instance, trees offer plenty of interesting texture on their trunks and in their leaves. If you’re trying to find texture in landscape photography, you’re going to want to take careful stock of your surroundings. …as long as you know where to look! In Landscape Photography Which means that there is lots of texture available to the enterprising photographer… Common Texture ExamplesĪs I said above, plenty of items don’t appear to have texture from a distance–but as you get closer, the texture starts to reveal themselves. With certain types of light, you’ll end up with texture appearing very strong and deep.īut with other types of light, the texture will almost disappear entirely. Plus, texture can contrast with smoother areas, creating a nice harmony.įinally, texture can be cleverly revealed or concealed, depending on the lighting.
Texture adds an element of interest to otherwise bland images, because it draws the eye. If you’re working with an object that seems overly flat, you can always get closer with a telephoto or a macro lens, until textures on the surface of the object begin to reveal themselves. Of course, one thing to recognize is that objects can appear smooth from a distance and textured from close up, which is why the texture of an object depends on how close you are to it.
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